Grandma put her hand on Reyna's shoulder and squeezed it hard, as if to keep from falling over. Reyna cast a glance her way, and to her horror, saw that Grandma looked like she was about to croak; her face was ashen, and she trembled from head-to-toe.
"Grandma? What is it?"
"Kai-Ila. It's Kai-Ila." Grandma's voice was full of fear.
"Grandma, who is she?"
"She's the Emperor's most favored servant... very powerful. She's like a child to him."
Reyna looked back toward the woman and saw that she was leading her horse off the road and onto a narrow winding footpath leading toward the village dumpsite. Her bodyguards started to go with, but she declined their presence, speaking in a foreign tongue Reyna could not understand.
"What is she doing?" Reyna asked. "She's going toward the gross dump!"
Grandma took hold of Reyna's shoulders with more strength than she'd shown in years, making Reyna lose her grip on the dog's collar, and said, "Reyna, you must run. You must leave me and get out of this village right now."
"Grandma! What are you...?"
"Listen to me!" Grandma interrupted, "Before it's too late. If you don't get out of this village now, you'll be killed!"
"What are you talking about? No! I'm not going anywhere! And I won't leave you!"
Grandma begged and pleaded with Reyna, but Reyna did not budge. Finally Grandma said, "Almost eleven years before you were born, a girl no older than you died giving birth to a bastard child in this village." She took a hasty breath and continued, "Those were dark times for our village. It was when the Empire was at war with Heridion.
The child's father was one of the Emperor's soldiers... a fair blue-eyed man from the north. He died in battle. I don't believe he knew there was going to be a child, or if he would have even cared about it if he did."
Grandma paused a moment, watching the woman continue down the winding path, and then said, "Keeheran had been pillaged by the Heridion soldiers several times. There was no food. Our children were starving... that's how your uncle died. We were all dying. The orphan baby was born before it was time. It was very sickly. The mother had no kin to raise it; no one wanted it."
"Grandma...?"
"We lay her in the dump for the jackals to devour."
Tears streamed down Grandma's face. "Little did we know that the Emperor himself was near, in a fierce battle just east of here. One of his friends had been injured and he came to our village for aid. It was dark and..."
"The Emperor was here?!" Reyna interrupted, "Why haven't I heard of this?" Grandma ignored her, and continued, "...he almost stumbled over the abandoned baby. She was still alive."
Kai-Ila looked down at the dump. It was the place where the village dumped everything they didn't want, which said a lot in a place like this.

It smelled like rotting flesh. Parts of dead animals were mixed in with the other decay. Her horse did not like the smell and tried to pull away. "Easy, Windfire," she reassured him, "you are not going to share their fate," and then thought to herself, My fate.
Nearly gagging from the stench, she wondered why she had come here. Anger rose up inside of her, but quickly died, like fire without wood to burn. She could not find it in her heart to be angry with these people.
The dry winds shifted, mercifully carrying the foul stench the other way. She looked up and inspected her surroundings. Everything seemed incredibly poor and desolate. She thought about her mother, whom had grown up in this country. What was her mother's life like? Was it true that she had been a lowly slave girl? For a moment she dared to imagine growing up in this barren place, instead of among the riches that had always surrounded her. Even worse, she wondered what life would have been like without her beloved Emperor.
"So... you think she's going to do something awful to our village?" Reyna asked, finally sounding a little worried. But Grandma didn't seem to hear her. She looked distant, and said, "I'm just as guilty as the next person. I was a younger woman. I could have..." Her voice trailed off.

Reyna looked back toward Kai-Ila. The woman was adjusting something on her horse's bridle. When she fixed the problem, she gently jabbed the stallion's shoulder with her finger, seeming to be giving him some kind of a command. After a brief moment of confusion he lowered his knees into the sand. She swung her leg over the saddle and urged him back to his feet. With a near invisible cue, he exploded into a fast gallop up the winding path, and she maneuvered him around the bends with jaw-dropping skill.
For a moment in time, which would forever be etched in Reyna's memory, horse and rider glowed gloriously in the setting desert sun.
They met up with the entourage, and with the slightest nod of Kai-Ila's chin, over a hundred horses thundered out of the tiny village of Keeheran.
Reyna and Grandmother watched them go, a little dazed. Awhile after the dust settled, Reyna said, "I guess you can forgive yourself Grandma. She has."
Grandma let out a sigh of relief, and pulled her granddaughter near.
Kai-Ila, the Village Secret is property of the writer. At this time, it may not be posted anywhere public, without written permission from the author.
~*~*~
The music on this page is "Now We are Free", from the
Gladiator soundtrack, and can be purchased at
Amazon.com.
The Doll
Kai-Ila was made using a Fashion Fever "Kayla" doll's head and a My Scene "Madison" doll's body with jointed knees, so she could ride her horse more naturally. She stood about 11.5 inches tall (Barbie size).
All of her original factory paint was removed, and she was given a full re-paint. Her expression was made to look a little weary, as though she'd been riding all day and needed rest. The rooted eyelashes not only added to that effect, but also gave her a lovely profile.
In general, her face was painted with warm browns, which brought out her blue eyes. To top things off, her skin was embellished with plenty of freckles and beauty marks.
On her left arm she had a tattoo of the Imperial Seal. It marked her as one whose complete devotion was to the Emperor and the Empire.
Her lush hair was a full re-root, done using a strong weaving method, similar to that of factory dolls' hair, not the tension method, in which hair can easily be pulled out. It took endless days to complete a re-root of this caliber. The hair graduated from black, to brown, to blond, making it appear very "sun kissed".
When the re-root was finished, the hair was put into many fine micro braids. The tip of each micro braid was melted with a flame, to seal it. From start to finish, each braid took seven minutes to complete. The feel of the braids was awesome, and they could be put into numerous hairstyles.

Her gold-tone jewelry was made from tarnish-resistant jewelry wires and jump rings. The beaded neckpiece was like a Celtic torque, which only blood royalty were allowed to wear... perhaps in the Emperor's eyes, she was.
Her earrings were well jointed, and dangled much like real earrings, without any awkward stiffness.
The centerpiece of her costume was a sleeveless red Roman-influenced tunic, cut from thin satin, and trimmed in gold. It had been treated with hot water to make it conform better to the doll. Over it, around her waist, she wore a heavily beaded belt with leopard print knee coverings, slightly reminiscent to a Samurai warrior. Beneath the easily removable belt and tunic were some neat "under clothes". The tiny top and drawstring pants were cut from a very glossy brown fabric.
Overall, her color theme was a rare one: rich browns and golds, accentuated with shocking accents of bright red.
The Horse
Kai-Ila's steed, Windfire, was given a re-paint too. His garish factory paint was removed so he could become a fine spirited stallion with sensitive eyes.
While supposed to be a fantasy breed, he most resembled an Arabian horse in look, tack, and color. His flaxen chestnut color is fairly common among the world's finest Arabian champions, although he was not painted to resemble any one particular horse.

All four of his feet had enough detail on them to make a farrier happy. You can see his frogs, soles, hoof walls, and it looked as if his feet had a recent trim. It also looked as if a groom had painted them golden in the morning, but over the course of the day, the paint wore off around the edges.

Like his mistress, he had an Imperial symbol too. The brand meant he was born and raised in the Emperor's stables, and was one of the best horses in the Empire; to steal such a horse would be big trouble!

His bridle was a real challenge to make. The Barbie horse mold has larger-than-life eyes, set low, where the cheek pieces of most bridles should be. Therefore the headstall had to make a 120% degree angle at the brow band, where real-horse bridles are straight, to accommodate the eye. Also, a lot of engineering went into making the "snaffle bit" line up properly with his mouth, and stay put, without drilling holes in the corners of his mouth.
The bridle's brow band was a delicate string of red and gold beads, not detracting from his striking forehead marking, while the cheek pieces were lined with brilliant star sequins, to give it plenty of pizzazz.
Kai-Ila's treeless saddle was crafted from soft golden suede treated with hot water to give it shape.
Strong glues and a few stitches held it together. The front of the pommel and the back of the cantle were accentuated with brass studs as well as gold trimming. The saddle's rider-friendly design (and suede surface) did a good job of keeping Kai-Ila on the horse.
While its design is "fantasy" in origin, it most resembled a Spanish bullfighting saddle. But it dated to a more primitive era, before stirrups were invented, like the Greek and Roman times. It was built to look practical for long journeys (in more sophisticated places, Kai-Ila would probably use a much more elaborate "non-suede" saddle; suede has been popular among distance riders for millennia because it helps keep the rider from sliding around).
Attached to the saddle were twin leopard print saddlebags. What more could a girl want to store her essentials in?
The ornate sequined saddle pad had bead work in its fringe along with little jewelry bells. The tinkling of those little bells was sweeter than honey. Some slots were left open on the sides of the pad for the girth to run through, which prevented it from going over the fancy fringe.
Keeping the saddle from slipping forward over the rough desert terrain was a perfect little crupper (tail strap), just like the ones real horses wear.
An ornate breast collar helped prevent the saddle from sliding back (and from side-to-side). It had soft fringe on the bottom, but no beading; a real horse would not like something hard was hitting its front legs, especially on a long journey.
All of Windfire's tack was completely removable, meant to be precious collectibles in their own right, apart from the horse.
Auction
Kai-Ila and Windfire were sold on eBay in June of 2005.
Copyright © 2006 - 2008 Brutal Sun Studio. All Rights Reserved.